Just been commissioned to write a 1000 word feature on the history of Juke, in the wake of the ongoing madness around Addison Groove’s Footcrab (or Crab Foot, as Pokes told me someone called it, when I bumped into him on Monday). This is an exciting prospect, especially since it means reconnecting to some extent with some of the Chicago House that got me into all of this way back when I had my head turned by Marshall Jefferson and Frankie Knuckles and Jamie Principle – and finding out more about the local sounds of Juke proper.

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